Living Maya
The Maya did not vanish with the old cities. Maya people live today in Mexico, Guatemala, Belize, and Honduras, and many speak Mayan languages to verify. This page starts with the peoples met in study so far, in their words where a source gives them.
Lacandón (hach winik)
The Maya of the Chiapas rain forest call themselves hach winik, "real people." The name Lacandón comes from an old lowland place name, lacam tun (Palka, 1998/2015, p. 459). They live in small family settlements. In the 1800s these reached from Tikal south to the Pasión River. They descend from lowland peoples and Yucatec migrants who entered the forest from the 1500s on, not from the Classic cities themselves (Palka, 1998/2015, pp. 459–462).
Their gods live in the ruins. Lacandón (hach winik) accounts call the ruins houses of the divine. People go to them with incense, food, drink, and cigars, and ask for rain, crops, game, and health. They do not settle near ruins, because the gods tell them to keep away (Palka et al., 2026).
One god, Akyantho, rules foreigners, trade, and disease. He is light skinned and wears a cowboy hat and a pistol (Palka, 1998/2015, p. 468). Myths, songs, and chants from the northern Lacandón of Naha’ are gathered in Cook (2019).
Na Bolom and the Blom photographs
Na Bolom, in San Cristóbal de las Casas, was the house of Frans Blom and Gertrude Duby Blom. Trudi Blom, a Swiss-born journalist, photographed the Lacandón (hach winik) (Bürgi, 2011). Her exhibit prints at Duke name the people in them, among them Pepe Castillo at Monte Líbano in 1943, Vicente Bor at the Jataté River in 1950, and K’in García at Najá in 1958 (Duke University Libraries, n.d.). The same series shows the forest cut for mahogany and cleared for fields. Na Bolom’s photograph collections were surveyed in 2020 (Hernández Rochín, 2020).
Faith and celebration
This section returns in December.
Maya leaders today
Rigoberta Menchú Tum, a K’iche’ Maya woman born in 1959 in Chimel, Guatemala, received the Nobel Peace Prize in 1992 for her work for the rights of Indigenous peoples and for reconciliation between ethnic groups (Nobel Prize Outreach, n.d.).
The 48 Cantones of Totonicapán is an ancestral authority of the K’iche’ Maya, made of community governments whose leaders are elected each year in assembly. Its former president Luis Pacheco and former treasurer Héctor Chaclán led protests in 2023 in defense of that year’s election results. Charged in 2025 with terrorism and other crimes, they were released in August 2026 to face the rest of the case outside prison. Rights groups called the case political (Cultural Survival, 2026).
The K’iche’ and the Popol Vuh
The Popol Vuh is the K’iche’ book of creation. In it the gods want people who will provide for them and nurture them, tzuqul and q’o’l (Chinchilla Mazariegos, 2017, p. 70). Q’eqchi’ and Mopan myths tell of poisonous creatures born from the blood of the moon (Chinchilla Mazariegos, 2017, p. 128).
Music and instruments
A start, from museum records. The National Museum of the American Indian keeps a drum and drumstick made by the Q’eqchi’ maker Francisco Caal (National Museum of the American Indian, n.d.). The National Museum of Natural History keeps a violin from Chamula, in highland Chiapas, received in 1885 (Smithsonian Institution, n.d.). The Walters Art Museum has a Maya slit drum from the Late Postclassic, AD 1350 to 1521 (Walters Art Museum, n.d.).
Sections to come
Each needs a source before it is written.
- The Day of the Dead and the giant kites of Sumpango and Santiago Sacatepéquez.
- Semana Santa, the alfombras of Antigua, and Holy Week in Maya towns.
- Coffee and the Maya who grow it.
- Languages, with a map of where each is spoken.
- Textiles, the huipil, and the backstrap loom.
- Masks, dance, and drama, among them the Rabinal Achí.
- More on music, from the marimba to flutes and conch.
- Food, from maize and nixtamal to tamales, cacao, and pepián.
- Maya writers, artists, and scholars of today.
Sources
- Blom, G. D. (1974). Religious official, Tzotzil, Santiago [Photograph]. Gertrude Duby Blom Exhibit Photographs and Project Records (Box 7, Image RL_10084_P_068), David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC, United States. https://archives.lib.duke.edu/catalog/blomgertrude_aspace_ref215_dyv
- Boot, E. (Comp.). (1997). Vocabulario lacandon maya-español (dialecto de Naja’) [Lacandon Maya–Spanish vocabulary (Naja’ dialect)]. Foundation for the Advancement of Mesoamerican Studies. https://www.famsi.org/mayawriting/dictionary/boot/lacandon-de-naja_based-on_bruce1968.pdf
- Bürgi, M. (2011, June 16). Gertrude Duby-Blom. In Historisches Lexikon der Schweiz [Historical dictionary of Switzerland]. https://hls-dhs-dss.ch/de/articles/022738
- Chinchilla Mazariegos, O. (2017). Art and myth of the ancient Maya. Yale University Press.
- Cook, S. (2019). Xurt’an: The end of the world and other myths, songs, charms, and chants by the northern Lacandones of Naha’. University of Nebraska Press.
- Cultural Survival. (2026, August 5). Former Indigenous authorities of the 48 Cantones of Totonicapán released in Guatemala after more than a year in pretrial detention. https://www.culturalsurvival.org/node/15315
- Duby Blom, G. (1943). Pepe Castillo, Lacandon, Monte Libano, 1943 [Photograph]. Gertrude Duby Blom Exhibit Photographs and Project Records (Box 1, Image RL_10084_P_001), David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC, United States. https://idn.duke.edu/ark:/87924/r47p94t1f
- Duby Blom, G. (1958). K’in Garcia in dugout canoe, Lacandon, Naja, 1958 [Photograph]. Gertrude Duby Blom Exhibit Photographs and Project Records (Box 1, Image RL_10084_P_003), David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC, United States. https://idn.duke.edu/ark:/87924/r43x8f06m
- Duke University Libraries. (n.d.). Gertrude Duby Blom exhibit photographs and project records. Finding aid. https://archives.lib.duke.edu/catalog/blomgertrude
- Hernández Rochín, B. (2020). Asociación Cultural Na Bolom. Diagnóstico de colecciones fotográficas. Adabi de México. https://file.adabi.org.mx/recursos/publicaciones/diagnosticos/conservacion/20201118_asociacion_cultural_na_bolom.pdf
- Kearns, R. (2013, January 4). Mayan ceremonies in Guatemala celebrate the new cycle. ICT. https://ictnews.org/archive/mayan-ceremonies-in-guatemala-celebrate-the-new-cycle/
- Knowlton, T. (2012). Ethnicity, god concepts, and the indigenization of a Guatemalan popular saint. Journal of Anthropological Research, 68(2), 223-247.
- MacKenzie, C. J. (2009). Judas off the noose: Sacerdotes mayas, costumbristas, and the politics of purity in the tradition of San Simón in Guatemala. The Journal of Latin American and Caribbean Anthropology, 14(2), 355–381. https://doi.org/10.1111/j.1935-4940.2009.01052.x
- National Museum of the American Indian. (n.d.). Drum and drumstick, Q’eqchi’ Maya, NMAI 278800. https://dashboard.si.edu/object/drum-and-drumstick:NMAI_278800
- Nobel Prize Outreach. (n.d.). Rigoberta Menchú Tum. Facts. https://nobelprize.org/laureate/554
- Palka, J. W. (2015). Lacandón Maya culture change and survival in the lowland frontier of the expanding Guatemalan and Mexican republics. In J. G. Cusick (Ed.), Studies in culture contact: Interaction, culture change, and archaeology (pp. 457-475). Southern Illinois University Press. (Original work published 1998)
- Palka, J. W., Balsanelli, A., & Lozada, J. (2026). Houses of other persons: Ruins in Lacandon Maya ritual landscapes. Latin American Antiquity. Advance online publication. https://doi.org/10.1017/laq.2026.10205
- Picas, M. (2023). De sitios arqueológicos a sitios sagrados: La visibilización de la espiritualidad maya y el proceso de resignificación patrimonial en el municipio de Tecpán, Guatemala. Revista Española de Antropología Americana, 53(1), 127-146. https://doi.org/10.5209/reaa.78688
- Pédron Colombani, S. (2016). The journey of San Simón from Guatemala to the United States: Processes of reappropriation of a popular saint of Guatemala. In R. de la Torre, C. Gutiérrez Zúñiga, & N. Juárez Huet (Eds.), New Age in Latin America: Popular variations and ethnic appropriations (pp. 197–216). Brill. https://doi.org/10.1163/9789004316485_013
- Smithsonian Institution. (n.d.). Violin, Chamula, Chiapas, USNM E93552-0. https://dashboard.si.edu/object/violin%3Anmnhanthropology_8487673
- Walters Art Museum. (n.d.). Slit drum, 2009.20.193. Ancient Americas. https://art.thewalters.org/browse/category/ancient-americas/?pg=16
Every source the site uses is also on the Sources page. Links checked November 6, 2026.